November 23, 2024

Vishwakarma University – Centre of Communication for Development

An Initiative of Department of Journalism and Mass Communication, Vishwakarma University, Pune

Nritya Sadhana

Nritya Sadhana

Shattering Stereotypes: The Men of Kathak Nritya

In the bustling heart of Pune, amidst the rhythmic honking of taxis and the cacophony of street vendors, a journey began to unveil the captivating world of Kathak Nritya. This wasn’t your typical story of dancers with flowers in their hair, twirling in sequined lehengas. We sought the voices that challenged the stereotype, the men who dared to defy tradition and embrace the graceful world of Kathak.

Our first stop led us to Mayur Shitole, an engineer by day and a Kathak Nritya maestro by passion. His journey wasn’t paved with rose petals. Family disapproval hung heavy in the air, a constant murmur against his artistic aspirations. Yet, Mayur persevered, his dedication a testament to the silent language of Kathak Nritya that resonated deep within his soul. Years of rigorous practice molded him into a master, a living example that shattered the myth of Kathak being solely a woman’s domain.

Next, we met Pradeep Vidhate, a belly dancer with a twinkle in his eye and a fire in his heart for Kathak Nritya. He, like many others, had faced the misconception that this art form was a feminine preserve. But Pradeep, with his unorthodox background, defied expectations. The rhythmic footwork and expressive storytelling of Kathak Nritya spoke a universal language, one that transcended gender boundaries. He embraced it with unwavering passion, proving that the stage of Kathak Nritya welcomes all who seek to tell their stories through movement.

Namito Navale, our third encounter, was a stark contrast to Pradeep. Unlike Pradeep’s initial battle against societal norms, Namito had his family’s unwavering support. Yet, his journey mirrored the same dedication and perseverance. He poured his heart and soul into mastering the art form, each intricate mudra and rhythmic footfall becoming a testament to his passion. Now, alongside Mayur and Pradeep, Namito stands as a champion for the inclusivity of Kathak Nritya.

Through these encounters, a powerful message emerged. Kathak Nritya isn’t just about graceful steps and enchanting costumes; it’s a tapestry woven with devotion, discipline, and the power to shatter stereotypes. It’s a language spoken not with words, but with the eloquence of movement, a language that transcends gender and welcomes all who seek to tell their stories on its grand stage.

This journey was brought to life through the collaborative efforts of a dedicated team of students of media. Directed and produced by Snehal Bhagwat & Team Harshal Waghmare, including Sakshi Shinde, Rutika Chougule, and Sacchit Mhalgi, Edited by Snehal Bhagwat under the guidance of Prof. Ravi Nikam and Prof. Vaibhav Thakare from the Department of Journalism & Mass Communication at Vishwakarma University.  Their collective passion and expertise have illuminated the essence of Kathak Nritya, enriching our understanding and appreciation of this timeless art form.